Pan Yuliang
(via wine-loving-vagabond)
Yes, I will be.
(via mattadoresit)
Caravaggio, Mary Magdalen in Ecstasy, 1606
The Mary Magdalene is a stark image of exile, of anguish, and guilt … Caravaggio had killed a man, and come close to death himself, and the first instinct of a Catholic was to make an act of contrition. His Magdalene is the sinner who spent many years in solitary penitence; she conveys the sense of desolation and abandonment that is part of the mystical experience; and the divine light creates a dazzling darkness. — Helen Langdon
(via cavetocanvas)
La ofrenda (1913)
Saturnino HerránÓleo sobre tela. 185 x 209 cm.
Museo Nacional de Arte INBA, México D.F.
(via wine-loving-vagabond)